I’ve decided one of my favorite things about Sam Neill is how his accent can change pretty dramatically with each movie!
Merlin’s Apprentice (TV Movie) (2006)
For full disclosure: I got this DVD from Netflix and it whimped out on me about 20 minutes in to “Part 2” of this 2-part TV movie. However, Sam Neill’s character died at the end of Part 1, so you can’t make me feel guilty about not even trying to restart. At that point it was pretty much any excuse to stop watching the terribleness. However, I did read a summary of Part 2 on wikipedia, and unfortunately it makes even less sense than I predicted.
The Movie: So, this is sort of a sequel to Merlin (1998), except it doesn’t follow any of the same story or have any of the same characters, except that Sam Neill is Merlin and Miranda Richardson is the Lady of the Lake, but a different Merlin and Lady of the Lake. I don’t really understand why, but probably because no one else would agree to sign on for this since the plot is ridic. Check it: Merlin is super sleepy after doing all this work to make a perfect Camelot so he finds some cave and goes to sleep. But, whoops, he wakes up 50 years later! Everyone he knows is dead and Camelot has gone to shit. The Holy Grail has disappeared because Camelot is no longer pure, and vaguely-Viking-like barbarian hordes are sweeping ever closer to destroy it. The Lady of the Lake is on their side and helping them with her magic because Camelot has “polluted her waters”. Luckily Merlin finds Jack, a young thief with magical talent and takes him on as an apprentice! Jack has a pig sidekick who may be magical too? Inconclusive. Other characters include: Sir Gawain’s granddaughter, the blacksmith she is secretly in love with, and a girl pretending to be a boy, but not very well. Seriously, she is trying to earn her place as a knight a la Alanna the Lioness, but she is obviously, obviously a girl the entire time. The other characters address her constantly as “Boy!” as if the director knew it was the only way to tell the audience that she’s supposed to be pretending and it’s a huge secret.
The Character: This version of Merlin is a little more serious than in the original TV movie that this is sort of but not really a sequel to. Since Jack is really the main character, Merlin spends a lot of time making seriously melodramatic pronouncements of doom or grumbling about how stupid Jack is. The most ridiculous part is at the end of Part 1 when the Lady of the Lake reveals to Merlin that Jack is HER son. And that he’s a baby daddy. Yeah, Merlin was sleep-raped by the Lady of the Lake. Because she was lonely. Luckily Merlin dies after heroically sacrificing himself to save the people of Camelot pretty soon after that so I didn’t have to watch any more. I thought the pig would definitely turn out to be the Holy Grail in disguise (which would explain why it is kind of magical?) but alas, it’s just a magical pig named Sir Snout. Of course. Of course Gawain’s granddaughter (?maybe) and her illicit “we’re from two different worlds!” love get together in the end as Camelot’s new rulers and Jack gets with the pretend-boy after discovering her secret.
Best Sam Neill Quote: (after Jack suggests they could work together) “I’d sooner mate with a dung beetle!”
Or the Lady of the Lake, in your sleep? Ooohhhh.
Sirens (1993)
This week I watched two movies where Sam Neill played an Australian, and he’s pretty good at it! This one also had Hugh Grant. And nudity!
The Movie: Hugh Grant is a stodgy C of E reverend sent to Australia with his wife. The bishop asks him to visit a crazy artist on their way, since he keeps painting erotic pictures with religious themes and won’t stop. Of course, their stay at his villa is a sexual awakening for both husband and wife. Plus, I learn that Australians are totally nonchalant about all the deadly, deadly things that surround them daily.
The Character: Sam Neill plays the artist, Norman Lindsey, who apparently was a real guy and also completely awesome. From what I can tell on Wikipedia, Sam Neill captures him well, portraying him as forthright with what we would call a modern attitude about sexuality. Plus he gives off this air of just not caring what you think because, whatever, I’m Norman Lindsey. I get up early, paint some naked girls, and then quietly laugh at Hugh Grant’s puritanical values.
Best Quote: This one is from the real-life Norman Lindsey, after learning that 16 crates full of his art were burned in the US as pornography in 1940: “Don’t worry, I’ll do more.”
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